The Center for Book Arts
50th Anniversary Exhibition, 2024, NYC
Pandemic
Boston Athenaeum
Re-Reading Special Collections at the Boston Athenaeum:
Women Artists, 2023, MA
William Paterson University Gallery
Ink, Press, Repeat, 2023, NJ
Hester . Emma . Sonia
January 30 – March 24, 2023
Peabody Essex Museum
Selections from the Phillips Library Collection
A Golden Thread: The Minotaur – A Contemporary Illumination
September 2019 – March 2020, MA
University of Pennsylvania
Kislak Center Library Gallery for Special Collections
Across the Spectrum: Color and American Fine & Private Presses 1890-2015
In the Garden of Earthly Delights: A Homage to Hieronymous Bosch
February 15- May 18, 2016, PA
And the Night
The Clemente, 2014, NYC
Converse College
Milliken Gallery
Women and Books: Uncovered – A Decade Later, 2011, SC
The Cliffs of Mistake
Florida Atlantic University
Wimberly Library, Jaffe Atrium Gallery
Intimately Bound – Artist’s Books and Prints, Nov. 2004-Jan. 2005
Rutger’s University
John Cotton Dana Library
U N F O L D I N G, 2003-4, NJ
Mississippi University for Women
Fine Arts Gallery
Chapters In Transition: Installation, Prints, Books, 2001
THE COMMERCIAL DISPATCH – VICKY NEWMAN, FRONT PAGE WITH PHOTO, “EXHIBIT OPENS WELTY WEEKEND”, OCTOBER 18, 2001
“An exhibition and presentation by New York artist Mindy Belloff was scheduled to be the first of events for Welty Weekend at Mississippi University for Women. Belloff’s show, ‘Chapters in Transition,’ is scheduled to open at 2 p.m. at MUW’s Fine Arts Gallery. The Colombus show is one of four in which Belloff is participating simultaneously. In spite of the turmoil the city has faced in the last months, she currently has two shows ongoing in New York, as well as a show beginning Sunday in Spartanburg, S.C. Belloff is scheduled to discuss book arts as well as the personal nature of her work. ‘I want students to know it is okay to talk about intensely personal things,’ Belloff said. ‘As artists we’re able to transform individual experience into aesthetic objects. Because of the events of the last month, there is a feeling now more than ever for the importance of art in healing and spiritual nourishment – whether it is music, theater, dance or visual arts… New York is very fragmented now, and part of what we do is try to create a feeling of wholeness and beauty, and transform personal experience into something cathartic for the viewer,’ Belloff said. The opening, presentation and reception is free and open to the public.
BETWEEN DESIRE AND FEAR
Clemente Soto Velez Cultural Center, NYC 1999
The Sculpture Center
AIDS Alcove
Loss, Irony, Identity: EMPATHY, 1995, NYC
The Bronx Museum of the Arts
Loss, Irony, Identity: WITNESS, 1994, NYC (full installation + detail)
The New York Times, Review: August 19, 1994, by Holland Cotter (Pulitzer Prize in Criticism)
“The show gets off to a nice start with Mindy Belloff’s installation of dozens of tiny paintings…the installation has a mournful air, made literal when Ms. Belloff writes on one painting, “I still get overwhelmed when I think about her” and the single word “endure” on another…Personal and specifically autobiographical subject matter is increasingly important in contemporary art…it is at the heart of Ms. Belloff’s tiny paintings…”
